"Good Timber", a poem I keep going back to: the trees that fight for light in rough weather become the strong timber; the ones with easy sun and rain stay scrubby. People and teams seem to go the same way. Comfort is nice. It just doesn't build much.
Given that we can connect increases in PWAT to global warming, we can confidently conclude that climate change made this rain event more intense than it otherwise would have been.
And I've talked to a lot of entrepreneurs over the years where they're like, "Oh man, we're just cranking. We're on easy street right now." And I'm like, "Dude, you are about to get your ass whooped and you don't even know it."
Um, and sometimes that's because the model is trying to do something it doesn't have a lot of experience doing. So it's been trained on a whole set of things and as soon as you get a little bit off the distribution of things it knows how to do then like most machine learning models it will you know its performance will suddenly will start to degrade and the farther you get off the comfort zone of what it knows how to do the the more likely it is to to not work as well.
I loved this, but partly this was the pleasant shock of recognition: much of the action revolves around the National Science Foundation and, physically, its old headquarters in Arlington, which Robinson captures extremely well (even the atmosphere of review panels).
Could a book be more up my alley? The way he unpacks his feelings about giftedness, overachieving, language, disability, and difference really spoke to me.
And remember that DeepSeek happened in times of crisis, urgency, not in times of comfort. A lot of these technological breakthroughs and leapfrogging happens in times of crisis. This is called crisis innovation. And you got to thank the US for that. When the Chinese were comfortably importing chips from the US, the whole industry stalled for 20 years.
Now I have an answer for this query: El Dorado. The funny thing is that "rain smell" isn't what we set out to do, or even the main point of this perfume.
Coup de Chance (France) 3.0 Full of tastefully done scenes filmed by Vittorio Storaro, but somewhat inert and lifeless. For a major director, Woody Allen has surprisingly little feel for the art of cinema—a fact that is usually covered up by his clever dialogue. Working in French he seems out of his comfort zone (or is it the subtitles?) The dialogue seems less sharp, more predictable.
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