Linux conquered everything else. All the AI infrastructure that everyone runs off, it's all running on Linux. All the systems, all the servers, everything is Linux. So it was kind of a curiosity that the desktop and the personal computers we were using really hadn't been captured, but clearly it was just waiting for this moment. Linux spent the time from '91 to now waiting for agents to fully flourish as an end user operating system.
if you treat computing as this onion where you just keep peeling back the layers, there's always something interesting behind the scenes. And the more of those layers that you can peel back and understand, I think in some ways the better you can optimize for that world.
I think the best companies in my experience come from what might be characterized as scenes. There's like a moment that enables a new company to be born and there's a bunch that comes together that really creates this like unique nucleation for the new company.
It's pretty decently adequate, as mind candy. There are places where Abnett shows flashes of real talent. (To avoid spoilers, I'll just say: The first alien planet; the opening scenes with the cranky biologist.) There are other aspects of the novels which are pretty unsatisfying.
The New Age community, where people pretend to be benevolent Teletubbies, but behind the scenes are as money-hungry, power-seeking, and gossip-spreading as anyone.
But yeah, there's been a back and forth about whether dinosaurs were already on their way out or were they a bit limited by the very end of the Cretaceous. I think the more recent analyses have shown that's probably not the case, because in other words, they were basically doing fine right up to the extinction event. And so yeah, if the asteroid hadn't hit, there's no reason to think that they were on some kind of terminal decline.
Ellen Ullman's Close to the Machine is a memoir I couldn't believe I hadn't read earlier. Many of her observations about engineering culture feel as relevant today as when she was a programmer in the 1980s
Coup de Chance (France) 3.0 Full of tastefully done scenes filmed by Vittorio Storaro, but somewhat inert and lifeless. For a major director, Woody Allen has surprisingly little feel for the art of cinema—a fact that is usually covered up by his clever dialogue. Working in French he seems out of his comfort zone (or is it the subtitles?) The dialogue seems less sharp, more predictable.
One clue to the difficulties I faced, if I hadn’t been too naïve to see it, is that almost nobody works in small-scale, local, agroecological market gardening in Britain and most other rich countries. There’s a reason for that.
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