“Every night I close my eyes And there is something that I visualize I hear a voice, say, ‘I love you’ I picture all things that we're gonna do And I wonder who he'll be Wonder if he'll be good to me Wonder, gosh oh gee Wonder if he'll love me forever”
Creating institutional forms that can incorporate diversity and respond flexibly to a changing environment while maintaining legitimacy in the eyes of citizens is the fundamental project of state capacity that faces us.
So okay, so to take a evolutionary view, right? That new viewpoint prediction is exactly evolution had to solve by making animals move. You you nature give animals eyes. But nature didn't give trees eye. Eyes. Why? Because when you move, you see a new viewpoint.
I would also note that my sense is that like the place where the misalignment most lives is the place where you're trying to really push the eyes hard and get them to like do work that's really on the cutting edge of what they are capable of
if you're truly ambitious, burn your resume. If you and if you define your ambition in the eyes of your consumer, not your peers, you're not trying to win awards and respect from your peers.
Beyond the Visible: Hilma af Klint (Germany, 2019, CC) 3.6 When thinking about the most overlooked female artist, Artemesia Gentileschi often comes to mind. This documentary makes a persuasive case for Hilma af Klint. To my eyes, her most appealing works are not the large scale abstractions, rather it’s the small Klee-like gems that stand out. Don’t assume that if you have seen a half dozen of her most famous works that you have any conception of her overall career.
Redness is not "objective" in the sense of being "in the object", it only exists in the models generated by the sort of brains which are hooked up to eyes.
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