Recently I reviewed Adrian Kind’s 2025 book, “How Does the Psychiatrist Know?: On the Epistemology of Psychiatric Diagnostic Reasoning,” on this substack. I had mentioned that Kind’s book is the first systematic, in-depth, book-length philosophical investigation into how psychiatrists arrive at their diagnostic conclusions.
But the Great Pyramid, to go to that length to create a tomb, to make it a scale model of the earth, to orient it perfectly to true north, to make it 6 million tons. This is not a tomb. This is something else. This is a curiosity device.
Next to proper ownership of your own work, my favorite thing about POSSE is that it massively expands what you can publish, far beyond the limitations imposed by most social media (and especially microblogging) platforms that try to enforce some uniformity in post style, length, and appearance.
About Dry Grasses (Turkey, CC) 3.9 This is my favorite film directed by Ceylan, and that’s high praise. At times it feels like a long Russian novel. Engrossing from beginning to end, despite its 3¼ hour length. This one also could have been entitled “Evil Does Not Exist”.
Beyond the Visible: Hilma af Klint (Germany, 2019, CC) 3.6 When thinking about the most overlooked female artist, Artemesia Gentileschi often comes to mind. This documentary makes a persuasive case for Hilma af Klint. To my eyes, her most appealing works are not the large scale abstractions, rather it’s the small Klee-like gems that stand out. Don’t assume that if you have seen a half dozen of her most famous works that you have any conception of her overall career.
The Thief Collector (US) 3.6 This documentary on a pair of art thieves is extremely enjoyable, despite a somewhat clumsy execution in places. Surprising revelations keep popping up throughout its 100-minute running time.
Yet solar development is hopelessly snarled by dozens of different development regulations which begin with the assumption that it will permanently and severely harm the environment unless proven otherwise, at exhaustive length.
A korrent is a belief a person has stated in their own words: one
sentence stating the claim, backed by a quote and a source, kept at
korrents.com.
Under a name here, the quoted block is what they actually said.
The korrent beneath it is the claim those words support, in
korrents' wording — tap it to see the record, its source, and who
else holds it.
Nobody here wrote their own korrents. They are compiled from public
statements, and a person can change their mind, which is recorded too.
About the English under a post
Some people here publish in a language other than English. Where they
do, this site shows a machine translation beneath the post, in
this typeface — the site's own, not theirs.
The post itself is never changed, moved or hidden: what is set in the
serif above is exactly what the person published, and it is what to
quote them on. A translation can be wrong in ways that matter,
especially about tone.
Only the post's own words are translated. A quoted post, a linked
article and a belief on korrents.com
are left in their original language.