According to https://web.law.duke.edu/cspd/publicdomainday/2026/ this painting's copyright expires on Jan 1, 2026. Artists, pencils up. I, for one, am excited to see the further adventures of Paul Klee's animal friends.
Jenkins understands it, though. I've been reading, writing, and debating about this stuff since the late 1990s, and I learned something new on every page of this delightful book.
Jenkins' flair for legal communications carries over to her scholarly work, of course, which is why her Open Copyright Casebook is a standard text for American law schools:
and you may now use the actual Inquisition record of you having gone through censorship as the document to prove that you and only you have the right to print the book and therefore you can sue people for plagiarizing it or printing an unauthorized edition. And so, the very first version of copyright is the Inquisition.
So, Japan has a law which you're allowed to train on any training data and copyrights don't apply if you want to train a model, A. B, Japan has 9 gigawatts of curtailed nuclear power. C, Japan is allowed under the AI diffusion rule to import as many GPUs as they'd like.
This is older, but it's still a really good book about the Italian Futurists. Indeed I can't think of a better one for a general audience with some background knowledge of modern art. The chapters on Futurist painting and sculpture, on music and performance, on women, and on politics are especially good.
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