Alex Ross
Music critic of The New Yorker since 1996 and author of The Rest Is Noise, Listen to This and Wagnerism.
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Where they publish
The Rest Is NoiseBlog His long-running blog of notes, links and unpublished material on music.
Recent
- A Müller-Hermann moment 14 Aug 2026
- At the grave of Leonhard Frank 27 Jul 2026
- A Brahms moment 2 Jul 2026
Show 7 more
- Personal note 29 Jun 2026
- A Reicha moment 20 Jun 2026
- Nightafternight playlist 18 Jun 2026
- Liner notes to What Belongs to You 17 Jun 2026
- Habermas, Dudamel/Conlon 15 Jun 2026
- For Felicity Lott 19 May 2026
- Czernowin in Witten 18 May 2026
Link verified 5 Sept 2026. Recent items update automatically from the channel.
Recommends rcmnd
What they recommendrcmnd 5 things — each backed by an exact quote.
Compiled by rcmnd.app, not by them: the quotes are theirs, and each links to the post it was copied from.
Recent
Music in a New Found Land Loved
This is a wonderful book, and somewhat forgotten. It's currently very hard to find, here in America at least. It's fantastically vivid and passionate writing about music of all kinds.
fivebooks.com 2013-01-01
Silence Loved
Silence is one of the great music books. Purely on a literary level, there's something about Cage's style which is tremendously unique, something quite special in the history of literature.
fivebooks.com 2013-01-01
Doctor Faustus Loved
I read Doctor Faustus when I was around 18 and something about the book just overwhelmed me. It was one of the most intense reading experiences of my life.
fivebooks.com 2013-01-01
Show 2 more
The Birth of Tragedy and The Case of Wagner Loved
The other thing about Nietzsche's writing about Wagner is that it's wonderfully brilliant, unpredictable vivid and perceptive, even when he's deliberately distorting the material for a certain effect or working out his own profound ambivalence about Wagner.
fivebooks.com 2013-01-01
What others say about The Birth of Tragedy and The Case of Wagner →
The Infinite Variety of Music Loved
When I was very young, I loved the fact that Bernstein's language was so vivid. I was already sold on the music. As far back as I can remember my parents had the records and were playing them, and I took to them immediately. It was really the only music that I cared about, early on. Bernstein allowed me to have a conversation – only with myself at first – about the music.
fivebooks.com 2013-01-01
Latest
Full feed →Everything, newest firstFeed Posts and recommendations from the cards above, in one stream.
Filter & sortAll sources · condensed
- A Müller-Hermann moment 14 Aug
- At the grave of Leonhard Frank 27 Jul
- A Brahms moment 2 Jul
- Personal note 29 Jun
- A Reicha moment 20 Jun
- Nightafternight playlist 18 Jun
Show 9 more
- Liner notes to What Belongs to You 17 Jun
- Habermas, Dudamel/Conlon 15 Jun
- For Felicity Lott 19 May
- Czernowin in Witten 18 May
- The Infinite Variety of Music 1 Jan 2013 Loved
- The Birth of Tragedy and The Case of Wagner 1 Jan 2013 Loved
- Doctor Faustus 1 Jan 2013 Loved
- Silence 1 Jan 2013 Loved
- Music in a New Found Land 1 Jan 2013 Loved