The band told me about the pressure of creating content in order to promote their music and the ways in which the audience now has power over how songs sound.
Well, I like to say there’s no such thing as true or false memories. It’s like Johnny Rotten from the Sex Pistols, he had a saying that’s like, “I don’t believe in false memories any more than I believe in false songs.” And so the basic idea is that we have these memories that reflect bits and pieces of what happened, as well as our inferences and theories.
But I have come to understand that the feeling of creative control is an illusion, that the songs are predetermined and have their own destiny, that they are not our own.
Songs arise out of suffering, by which I mean they are predicated upon the complex, internal human struggle of creation and, well, as far as I know, algorithms don’t feel. Data doesn’t suffer.
A korrent is a belief a person has stated in their own words: one
sentence stating the claim, backed by a quote and a source, kept at
korrents.com.
Under a name here, the quoted block is what they actually said.
The korrent beneath it is the claim those words support, in
korrents' wording — tap it to see the record, its source, and who
else holds it.
Nobody here wrote their own korrents. They are compiled from public
statements, and a person can change their mind, which is recorded too.
About the English under a post
Some people here publish in a language other than English. Where they
do, this site shows a machine translation beneath the post, in
this typeface — the site's own, not theirs.
The post itself is never changed, moved or hidden: what is set in the
serif above is exactly what the person published, and it is what to
quote them on. A translation can be wrong in ways that matter,
especially about tone.
Only the post's own words are translated. A quoted post, a linked
article and a belief on korrents.com
are left in their original language.