Paweł Pawlikowski

Their words

I love both equally. In Pierrot le fou it was the garish colors, footloose narrative, and moments of total ennui where nothing happens and Anna Karina suddenly breaks into song for no good reason.

Their words

I love both equally. In Pierrot le fou it was the garish colors, footloose narrative, and moments of total ennui where nothing happens and Anna Karina suddenly breaks into song for no good reason. In Vivre sa vie it was the black-and-white photography, the off-center, often flat and seemingly accidental compositions, and the unexpected camera tracks.

Their words

I fell in love with Cassavetes when I first came across him with Husbands , but I can’t watch his films anymore because it seems like there’s a bunch of actors showing off in front of a shaky camera, whereas Pialat’s À nos amours has aged well.

Their words

The other Tarkovsky film I can watch repeatedly and keep discovering anew is Ivan’s Childhood.

Their words

Later I fell in love with Amarcord and 8½. The latter has become one of these comfort films I go back to watch every now and again, to reassure myself about the point of it all.

Their words

Later I fell in love with Amarcord and 8½. The latter has become one of these comfort films I go back to watch every now and again, to reassure myself about the point of it all.