Karim Aïnouz
Brazilian filmmaker and visual artist; directed Madame Satã (2002), The Invisible Life of Eurídice Gusmão (2019), which won Un Certain Regard at Cannes, and Firebrand (2023).
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Recommends rcmnd
rcmnd What they recommend 9 things — each backed by an exact quote.
Compiled by rcmnd.app, not by them: the quotes are theirs, and each links to the post it was copied from.
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Liked Arabian Nights
Like many of the films on this list, Arabian Nights showed me that the possibilities of working with narrative are the possibilities of working with the world.
criterion.com 14 Jan 2020
Loved Beyond the Valley of the Dolls
Beyond the Valley of the Dolls is just a brilliant piece of work.
criterion.com 14 Jan 2020
Loved Badlands
Badlands is one of those movies that you wish you had made yourself.
criterion.com 14 Jan 2020
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Loved Andrei Rublev
Later, I saw Andrei Rublev for the first time at Anthology. What I love about it is that it just hits you in places you don’t expect—the composition of the shots and how he fills them with emotion is so beautiful.
criterion.com 14 Jan 2020
Loved All That Heaven Allows
All That Heaven Allows and Written on the Wind are movies that I learned so much from.
criterion.com 14 Jan 2020
Loved Written on the Wind
All That Heaven Allows and Written on the Wind are movies that I learned so much from.
criterion.com 14 Jan 2020
Loved Ali: Fear Eats the Soul
Ali: Fear Eats the Soul is my favorite film of all time.
criterion.com 14 Jan 2020
Liked The Piano Teacher
The Piano Teacher was super important for Invisible Life as well, because there is a certain cruelty Haneke works with, particularly in this film, that helped me in adapting my story.
criterion.com 14 Jan 2020
Loved A Woman Under the Influence
I also discovered A Woman Under the Influence during this time in New York, and I was so touched by it.
criterion.com 14 Jan 2020
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