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Guillermo del Toro

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7 December 2010

Guillermo del ToroRecommends

  • Lovedrcmnd.app

    Eyes Without a Face

    Their words

    Beauty and the Beast may be tenuous and delicate where Eyes Without a Face is overripe and pulpish, but these films are gorgeous, dark poems about fragility and horror.

    criterion.com

  • Lovedrcmnd.app

    Beauty and the Beast

    Their words

    Beauty and the Beast may be tenuous and delicate where Eyes Without a Face is overripe and pulpish, but these films are gorgeous, dark poems about fragility and horror.

    criterion.com

  • Lovedrcmnd.app

    Brazil

    Their words

    Brazil remains one of the most important films of my life, and Time Bandits is a Roald Dahl–ian landmark to all fantasy films.

    criterion.com

+ 5 more

  • Lovedrcmnd.app

    Time Bandits

    Their words

    Brazil remains one of the most important films of my life, and Time Bandits is a Roald Dahl–ian landmark to all fantasy films.

    criterion.com

  • Lovedrcmnd.app

    Kuroneko

    Their words

    Onibaba and Kuroneko make a perfect double bill for the second circle of hell.

    criterion.com

  • Lovedrcmnd.app

    Onibaba

    Their words

    Onibaba and Kuroneko make a perfect double bill for the second circle of hell.

    criterion.com

  • Likedrcmnd.app

    Paths of Glory

    Their words

    Paths of Glory is a searing indictment of the war machine, as pertinent now as it was in its day.

    criterion.com

  • Lovedrcmnd.app

    Häxan

    Their words

    Häxan is the filmic equivalent of a hellish engraving by Bruegel or a painting by Bosch. It’s a strangely titillating record of sin and perversity that is as full of dread as it is of desire and atheistic conviction, and a condemnation of superstition that is morbidly in love with its subject.

    criterion.com

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